264 Free Artworks of Etchings In The Cooper–hewitt, Smithsonian Design Museum

cooper hewitt, smithsonian design museumprints of italy in the cooper–hewitt, smithsonian design museumlaid paperneoclassicismgiovanni battista piranesirococojean-baptiste pillementinkprints in the cooper–hewitt, smithsonian design museumcahiers arabesques chinois by j.-b. pillement
Print, Via Crucis - Station X, Jesus Despoiled, ca. 1749, Giovanni Domenico Tiepolo, circa 1749
station 10: jesus is stripped of his garmentsgiovanni domenico tiepolo
Print, Carceri Series, Plate XVI, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Carceri Series, Plate VI, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Carceri Series, Plate X, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Design for a Book Illustration with Children Playing Music, 1745, Johann Nepomuk Maag
johann nepomuk maag1745 works
Print, Chinoiserie: The Sense of, ca. 1742, Gabriel Huquier, circa 1742
gabriel huquier1742 in art
Print, Via Crucis - Station I, Jesus Condemmed to Death, ca. 1749, Giovanni Domenico Tiepolo, circa 1749
prints in the cooper–hewitt, smithsonian design museumgiovanni domenico tiepolo
Print, A Human Skull and a Tibia Burning on an Altar, from Scherzi di Fantasia, 1757–70, 1757–70
scherzi di fantasiarococo,baroque
Print, A part of the Triumph of Caesar as painted by Andrea Mantegna (1431-1506): Soldiers Carrying Trophies, ca. 1500, circa 1500
prints by andrea mantegna in the cooper–hewitt, smithsonian design museumitalian renaissance
Bound Print, Chimneypiece, from Diverse Maniere d'adornare i cammini, 1769, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Print, Carceri Series, Plate VIII, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Exterior, Teatro Filarmonico, Verona, 1731, Francesco Zucchi
prints in the cooper–hewitt, smithsonian design museum1731 works
Print, Le Grand Seigneur (The Nobleman), plate 17 from the series Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), 1748, Joseph-Marie Vien
prints in the cooper–hewitt, smithsonian design museum1748 works
Print, Le Grand Seigneur (The Nobleman), plate 17 from the series Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), 1748, Joseph-Marie Vien
prints in the cooper–hewitt, smithsonian design museum1748 works
Print, Prestre de la Loy (The Priest of the Law), plate 9 from the series Caravanne du Sultan à la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien
prints in the cooper–hewitt, smithsonian design museum1748 works
Print, Prestre de la Loy (The Priest of the Law), plate 9 from the series Caravanne du Sultan à la Mecque (Caravan of a Sultan Going to Mecca), 1748, Joseph-Marie Vien
prints in the cooper–hewitt, smithsonian design museum1748 works
Print, Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventés et dessinés par Jean Pillement. Gravés par Anne Allen. ", after 1775, Jean-Baptiste Pillement, after 1775
jean-baptiste pillementrococo
Print, Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777
prints in the cooper–hewitt, smithsonian design museumgiovanni volpato
Print, Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777
prints in the cooper–hewitt, smithsonian design museumgiovanni volpato
Print, Wall Decoration, Plate XII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), 1772–1777, Giovanni Volpato, 1772–1777
prints in the cooper–hewitt, smithsonian design museumgiovanni volpato
Print, Landscape with Castle and Lake, ca. 1545, Augustin Hirschvogel, circa 1545
etchings by augustin hirschvogelgerman renaissance
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Print, An Oriental Peasant and his Family (Woman, Man, and Child with an Ox in a Landscape), from Scherzi di Fantasia, 1757–70, 1757–70
scherzi di fantasiarococo,baroque
Print, Via Crucis - Station V, Simon of Cyrene Helps Him to Carry the Cross, ca. 1749, Giovanni Domenico Tiepolo, circa 1749
station 5: simon of cyrene carries the crossgiovanni domenico tiepolo
Print, Via Crucis - Station VI, Saint Veronica Wipes His Face with a Veil, ca. 1749, Giovanni Domenico Tiepolo, circa 1749
station 6: veronica wipes the face of jesusgiovanni domenico tiepolo
Versailles Grand Ball Decoration, 1745 - Dauphin's Wedding, Charles-Nicolas Cochin the Elder, 1756
prints of france in the cooper–hewitt, smithsonian design museum1756 works
Print, Carceri Series, Title Page, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (second edition, 1761)neoclassicism
Print, Carceri Series, Plate XIV, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Battle of the Sea Gods, right half, ca. 1475, Andrea Mantegna, circa 1475
italian renaissance1470s art
Print, Plate IV, vol. II of "Le Antichita Romane", 1756, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Print, Ornamental Candelabrum, 1520, Daniel Hopfer
etchings by daniel hopfer1520 works
Print, The Old Man with a Monkey on a Leash, from Scherzi di Fantasia, 1757–70, 1757–70
scherzi di fantasiarococo,baroque
Print, The Serpent Burning on an Altar, from Scherzi di Fantasia, 1757–70, 1757–70
scherzi di fantasiarococo,baroque
Print, Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventés et dessinés par Jean Pillement. Gravés par Anne Allen. ", after 1775, Jean-Baptiste Pillement, after 1775
jean-baptiste pillementrococo
Print, Transverse Section, Proscenium, and Curtain, Teatro Filarmonico, Verona, 1731, Francesco Zucchi
prints in the cooper–hewitt, smithsonian design museum1731 works
Print, Lafayette Theater, New York, 1827, Peter Grain
prints in the cooper–hewitt, smithsonian design museum1827 works
Print, Plan of an imaginary ancient seat of learning, 1750, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Print, Baths of Trajan, 1776 (printed date), Giovanni Battista Piranesi, 1776 (printed date)
etchings by giovanni battista piranesineoclassicism
Book, Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma, 1762, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Print, Carceri Series, Plate XV, 1745, Giovanni Battista Piranesi
le carceri d'invenzione (first edition, 1750)neoclassicism
Print, Arch of Septimius Severus from "Vedute di Roma", 1759, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Arethusa Pursued by Alpheus in a Wooded Landscape, circa 1650
arethusa in artbaroque
Print, The Catologue of the artist's work (Table of Contents of the Vedute di Roma), ca. 1779, Giovanni Battista Piranesi, circa 1779
etchings by giovanni battista piranesineoclassicism
Gardes d'Epées d'or pour les presens du marriage du Roy en 1725 [Gilt Sword Handle in Honor of the King's Marriage in 1725], pl. 52 in Oeuvre de Juste-Aurele Meissonnier, Juste-Aurèle Meissonnier, 1748
works by juste-aurèle meissonnier1748 etchings
Ornamental Design from "Nouvelle suite de cahiers arabesques chinois a l'usage des dessinateurs et des peintres", No.1, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventés et dessinés par Jean Pillement. Gravés par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventés et dessinés par Jean Pillement. Gravés par Anne Allen. ", Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventés et dessinés par Jean Pillement. Gravés par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Print, Mansarde, Maison du Sieur Léon Brethous (Attic Floor Plan of Léon Brethous House), plate 9, from Oeuvres de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier), 1742–48, 1742–48
prints of france in the cooper–hewitt, smithsonian design museum1740s architecture
Ornamental Design from "Nouvelle suite de cahiers arabesques chinois a l'usage des dessinateurs et des peintres", No.1, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Drawing, Etching: Frontispiece or dedicatory page, 1785, Felice Giani
drawings by felice giani in the cooper–hewitt, smithsonian design museum1785 works
Drawing, Vintage in the Mountains Near Rome, 1807–08, Bartolomeo Pinelli, 1807–08
drawings by bartolomeo pinelli in the cooper–hewitt, smithsonian design museumitaly in the 1800s
Funeral of Queen Elisabeth Thérèse of Lorraine, Notre Dame, 1741, Charles-Nicolas Cochin, 1756
bound prints in the cooper–hewitt, smithsonian design museum1756 works
Bound Print, Altro spaccato per longo della stessa bottega, ove si vedonofra le aperture del vestibolo le immense piramide, from Diverse Maniere d'adornare i cammini, 1769, Giovanni Battista Piranesi
etchings by giovanni battista piranesineoclassicism
Title page, Plate 1 from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Title page, Plate 1, from "Nouvelle suite de cahiers chinois a l'usage des Dessinateurs et des peintres", No.2, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Title page, Plate 1 from "Nouvelle suite de cahiers arabesques chinois a l'usage des dessinateurs et des peintres", No.1, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, after 1775
cahiers arabesques chinois by j.-b. pillementrococo
Print, Title page, "Il Campo Marzio dell'Antica Roma, " from part 20 of "The Complete Works of Giovanni Battista Piranesi", 1800
campus martius (piranesi)neoclassicism
Print, Rear View of the First Carriage of Lord Catelmaine Built in 1686 by Andrea Cornely after Ciro Ferri (1634-1689), 1687–1700, 1687–1700
engravings after ciro ferri (first carriage of lord castlemaine)etching and engraving on off-white laid paper
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